To Error

To Error ***1/2
This script still needs a lot of work – but I do not say that disparagingly. Khadeja’s script in many respects is stronger than she realizes. This is one of those gems that needs and deserves to be seriously workshopped. The most exciting and mature concept is the relationship between Love and Death. Khadeja’s play was most fascinating when it was exploring this philosophical concept but was limited by its desire to satisfy the “3 Act Design.” At this point, I would recommend she free herself of that structure and simply explore her themes through dialogue/character and allow the structure to “emerge” through dramaturgical work. Matt’s performance was strong (as usual), but in this case, he tended to rush through the lines and he brought a nervous quality to the character that I don’t think suited Dante very well. Susan’s performance was very well grounded and she was often exciting to watch. My only criticism was that it seemed like she was sometimes self-conscious about her costume. Certainly the costume made her look sexy, but costume design should make sure that sexiness is not gained at the expense of the performance. That said, Kate’s other costumes were functional and appropriate. Jesse’s set was lovely – it was so simple yet I was completely convinced we were in a hospital room. Lily’s direction was often very sharp (good use of Kate as the mother) with the occasional blocking blip. Most importantly, she managed to develop an excellent relationship between Dante and Beatrice that is so essential to the play.